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Mouse Mat : Cafre, d apres un moulage du Museum d nistoire naturelle de Paris (engraving)
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Cafre, d apres un moulage du Museum d nistoire naturelle de Paris (engraving)
3635683 Cafre, d apres un moulage du Museum d nistoire naturelle de Paris (engraving) by European School, (19th century); Private Collection; (add.info.: Cafre, d apres un moulage du Museum d nistoire naturelle de Paris. Illustration for Les Races Humaines by Louis Figuier (Hachette, 1872). Digitally cleaned image.); © Look and Learn
Media ID 23638566
© Look and Learn / Bridgeman Images
Beings D Apres Dapres Differences Ethnological Ethnology Humanity Moulage Naturelle Races Racial Stereotype Stereotypes Type Types Natives
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating engraving titled "Cafre, d apres un moulage du Museum d nistoire naturelle de Paris" takes us on a journey through time and space. Created by an anonymous European School artist in the 19th century, this print is now part of a private collection. The image depicts a native Cafre individual, based on a mold from the Museum d nistoire naturelle in Paris. It was originally featured as an illustration for Louis Figuier's book Les Races Humaines published by Hachette in 1872. This digitally cleaned version allows us to appreciate the intricate details and nuances of this ethnological representation. This engraving raises important questions about human diversity and stereotypes prevalent during that era. By showcasing different racial types, it highlights the complexities of humanity's various ethnicities and their differences. The portrayal of natives serves as both an anthropological study and a reflection of societal attitudes at the time. As we observe this historical artifact, let us not forget its significance within the context of ethnology and museum collections. It reminds us how our understanding of race has evolved over time while also acknowledging that these representations were often influenced by prevailing biases. Bridgeman Images has preserved this valuable piece of art history for future generations to explore and learn from, ensuring that these visual records continue to spark conversations about identity, culture, and our shared humanity.
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