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Travelling in the Punjaub (engraving)
1044136 Travelling in the Punjaub (engraving) by English School, (19th century); Private Collection; (add.info.: Travelling in the Punjaub, Notes during a Recent Tour by Sir Charles Aitchison, Lieutenant-Governor of the Punjab. Illustration for The Graphic, 5 May 1883.); Look and Learn / Illustrated Papers Collection
Media ID 22223200
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Camps Crossing Fording Journeyings Lieutenant Governor Marching Notes Punjab Punjaub Servants Tour Travellers Travelling Inida Ravi Shallow Water Travellers
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.8cm x 23.7cm (7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Travelling in the Punjaub - A Glimpse into 19th Century India
EDITORS COMMENTS
. This engraving, titled "Travelling in the Punjaub" offers a fascinating insight into the journey of Sir Charles Aitchison, Lieutenant-Governor of the Punjab, during his tour through India. The print captures a night scene where Aitchison's party seeks refuge in a rough shelter near a river crossing. In this evocative image, we witness the bustling activity surrounding their campsite as servants scurry about to ensure everyone's comfort. The military presence suggests that security was paramount during these travels. As notes are taken and plans discussed, one can almost feel the anticipation and excitement for what lies ahead. The focus of attention is on a shallow water crossing where men carefully navigate their way across with horses and carts. This moment showcases both the challenges faced by travelers and their resourcefulness in overcoming them. The setting itself exudes an air of mystery and adventure – ancient trees loom overhead while moonlight casts enchanting shadows upon all it touches. It is within this mystical ambiance that we glimpse fragments of Indian culture; from traditional attire to glimpses of local inhabitants going about their daily lives along distant shores. Through this remarkable artwork, we are transported back to an era when travel was arduous yet filled with wonderment. It serves as a testament to exploration, resilience, and cultural exchange – reminding us that even centuries later, our fascination with discovering new hor
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