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Mouse Mat : The Stranger, 1894 (woodcut)
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The Stranger, 1894 (woodcut)
715064 The Stranger, 1894 (woodcut) by Vallotton, Felix Edouard (1865-1925); 22.4x17.9 cm; Private Collection; (add.info.: l Etranger); Photo eChristies Images; Swiss, out of copyright
Media ID 23294508
© Christie's Images / Bridgeman Images
Anonymous Belle Epoque Flirting Les Nabis Mask Masked Masquerade Monochrome Nabis Printmaking Society Life Stranger Strangers Stylised Top Hat Top Hats
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 19.6cm x 23.7cm (7.7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Stranger, 1894
EDITORS COMMENTS
is a captivating woodcut print by Felix Edouard Vallotton that transports us back to the enchanting world of the Belle Époque. In this monochrome masterpiece, we witness a mesmerizing scene unfolding at a masked ball. The artist skillfully captures the essence of mystery and intrigue as two strangers meet on the dance floor. The composition is filled with symbolism and hidden narratives. The female figure, adorned in an elegant mask, exudes confidence as she flirts with her anonymous partner. Their eyes lock in a moment of electric connection amidst the swirling dancers around them. Top hats dotting the crowd hint at high society life and add an air of sophistication to the scene. Vallotton's stylized approach brings forth a sense of timelessness to this artwork from over a century ago. His use of bold lines and contrasting black and white tones creates striking visual impact. Through his mastery, he invites us into this masquerade where identities are concealed yet desires are laid bare. "The Stranger, 1894" stands as a testament to Vallotton's place among Les Nabis, an avant-garde group known for their innovative artistic expressions during the late 19th and early 20th centuries. This print not only captures an era but also transcends it, resonating with viewers even today. This exquisite print allows us to appreciate every intricate detail within Vallotton's work while adding depth to any art collection or space it graces.
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