Mouse Mat : Design by Lazar Lissitzky for the cover of the catalogue for the First Exhibition of Russian Art, Berlin, 1922. Watercolour on paper

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Design by Lazar Lissitzky for the cover of the catalogue for the First Exhibition of Russian Art, Berlin, 1922. Watercolour on paper

543585 Design by Lazar Lissitzky for the cover of the catalogue for the First Exhibition of Russian Art, Berlin, 1922. Watercolour on paper. by Lissitzky, Eliezer (El) Markowich (1890-1941); Universal History Archive/UIG

Media ID 38284922

© Universal History Archive/UIG / Bridgeman Images

1922 Abstract Berlin Communism Communist Communists Cover Geometric Lazar Lissitzky Supremetism

Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 17.2cm x 23.7cm (6.8" x 9.3")

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Eliezer Markowich (1890-1941) Lissitzky

> Fine Art Finder > Artists > French School

> Fine Art Finder > Temp Classification

> Abstract Art > Painting > Related Images

> Abstract Art > Related Images

> Arts > Abstract art > Geometric abstraction

> Arts > Abstract art

> Arts > Cubist sculptures > Geometric shapes > Abstract art

> Arts > Still life artwork > Abstract art > Fine art

> Arts > Minimalist artwork > Abstract art > Fine art

> Arts > Minimalist artwork > Abstract art > Geometric shapes

> Arts > Minimalist artwork > Geometric shapes > Abstract art

> Arts > Modern art pieces > Abstract art > Fine art

EDITORS COMMENTS
This watercolour print by Lazar Lissitzky, created for the cover of the catalogue for the First Exhibition of Russian Art in Berlin in 1922, is a stunning example of his innovative geometric design. Lissitzky, known for his contributions to the Suprematism movement, brings a sense of dynamic energy and modernity to this piece with its bold shapes and abstract composition. The use of vibrant colors and precise lines creates a sense of movement and depth within the design, drawing viewers into its intricate patterns. The combination of geometric forms and watercolor technique adds an element of softness to the overall composition, balancing out the sharp angles and hard edges. As one gazes upon this artwork, they are transported back in time to a period when Russian art was making waves across Europe. The catalogue cover serves as a window into this pivotal moment in history when artists like Lissitzky were pushing boundaries and challenging traditional artistic norms. Overall, this print is not just a beautiful piece of art but also a historical artifact that captures the spirit of innovation and creativity that defined early 20th-century Russia. It stands as a testament to Lissitzky's enduring influence on modern design and continues to inspire artists around the world today.

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