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Mouse Mat : Waiting, c. 1887 (oil on canvas)
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Waiting, c. 1887 (oil on canvas)
CLK339866 Waiting, c.1887 (oil on canvas) by Toulouse-Lautrec, Henri de (1864-1901); 56.2x47.2 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; French, out of copyright
Media ID 22913016
© Bridgeman Images
Ambiguous Back Bored Despondent Enigmatic Leaning Post Impressionist
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Waiting, c. 1887
EDITORS COMMENTS
by Toulouse-Lautrec is a captivating oil painting that captures the essence of despondency and ennui in the late 19th century. The artist's post-impressionist style is evident in the enigmatic and ambiguous portrayal of a seated female figure. In this intriguing composition, we see a woman leaning on a table, her back turned towards us. Her posture suggests boredom and restlessness as she waits for something or someone. The muted color palette adds to the melancholic atmosphere of the scene. Toulouse-Lautrec's mastery lies in his ability to convey emotions through subtle details. The woman's expression remains hidden from view, leaving us to wonder about her thoughts and feelings. Is she lost in contemplation or resigned to her fate? The painting's interior setting further enhances its sense of isolation and introspection. We are left with an intimate glimpse into a moment frozen in time, where time seems suspended. This print from Fine Art Finder allows us to appreciate Toulouse-Lautrec's skillful brushwork up close. It serves as a reminder of the enduring power of art to evoke complex emotions and provoke thought even over a century later.
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