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Ruined Cities of Ceylon: East End of Southern Altar, Abhayagiriya Dagaba (b / w photo)
6009268 Ruined Cities of Ceylon: East End of Southern Altar, Abhayagiriya Dagaba (b/w photo) by Cave, Henry W. (1854-1913); Private Collection; (add.info.: East End of Southern Altar, Abhayagiriya Dagaba. Illustration for The Ruined Cities of Ceylon by Henry W Cave, illustrated with photographs taken by the author in 1896, (3rd edn, Hutchinson, 1904). Gravure printed.); © Look and Learn
Media ID 25136662
© Look and Learn / Bridgeman Images
Anuradhapura Ceylon Cities East End Eighteen Jungle Nineties Remains Sri Lanka Sri Lankan
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 16.4cm x 23.7cm (6.5" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print transports us back in time to the ruined cities of Ceylon, specifically the East End of Southern Altar at Abhayagiriya Dagaba. Taken by Henry W. Cave in 1896, this image is part of his renowned collection featured in the book "The Ruined Cities of Ceylon". As we gaze upon this photograph, we are immediately struck by the sense of history and mystery that surrounds these ancient ruins. The crumbling stone structures stand as a testament to a once-thriving city that has now been reclaimed by nature's embrace. The dense jungle vegetation intertwines with remnants of human civilization, creating an eerie yet awe-inspiring sight. The composition captures both the grandeur and decay present within these ruins. The intricate details carved into the stonework hint at a rich cultural heritage while also emphasizing their current state of disrepair. It is as if time itself has left its mark on these walls, reminding us of the impermanence inherent in all things. This print serves as a window into Sri Lanka's past, allowing us to reflect on centuries gone by and marvel at what remains today. It invites us to contemplate our own place within history and consider how civilizations rise and fall over time. Overall, this image offers a poignant reminder that even amidst ruin, there is beauty to be found - beauty that speaks volumes about our shared human experience across cultures and continents.
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