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Mouse Mat : Dulverton, Somerset, 1800 (w / c on paper)
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Dulverton, Somerset, 1800 (w / c on paper)
BAL25023 Dulverton, Somerset, 1800 (w/c on paper) by Abbott, John White (1764-1851); 16.6x24.2 cm; Victoria & Albert Museum, London, UK; English, out of copyright
Media ID 22367676
© Bridgeman Images
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 15cm (9.3" x 5.9")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of Dulverton, Somerset in the year 1800. Painted by John White Abbott, a renowned English artist from the late 18th to early 19th century, this watercolor on paper artwork showcases his exceptional talent and attention to detail. The scene depicted is a picturesque landscape that epitomizes rural beauty. A meandering river flows gently through the countryside, reflecting the surrounding woodland and creating a serene atmosphere. The lush greenery of the trees adds depth and texture to the painting, while also providing shade for a quaint village nestled within. Abbott's mastery is evident in his ability to capture every intricate detail of nature's wonders. From each leaf on the trees to every ripple in the water, he brings life and vibrancy to this idyllic setting. The composition exudes tranquility and invites viewers into its peaceful clearing. Dulverton, located in England's West Country region, has long been celebrated for its natural beauty. This artwork pays homage to its charm and allure during an era when untouched landscapes were still abundant. Preserved at Victoria & Albert Museum in London, this print serves as a timeless reminder of Abbott's artistic brilliance and offers us an opportunity to appreciate both his skillful technique and our connection with nature through art.
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