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Mouse Mat : Labourers, 1926 (oil on canvas)
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Labourers, 1926 (oil on canvas)
SRM96545 Labourers, 1926 (oil on canvas) by Petrov-Vodkin, Kuzma Sergeevich (1878-1939); 96x106 cm; State Russian Museum, St. Petersburg, Russia; eState Russian Museum; Russian, out of copyright
Media ID 23368878
© State Russian Museum / Bridgeman Images
7 Deadly Sins Aggression Aggressive Anger Angry Argument Challenging Cigarette Furor Hard Rage Seven Deadly Sins Strength Strong Talking Tough Working Class Conversation
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of Petrov-Vodkin's masterpiece, "Labourers, 1926". The painting depicts a group of strong and tough-looking men engaged in an intense conversation. Their aggressive postures and expressions convey a sense of anger and challenge, while the billowing smoke from their cigarettes adds to the atmosphere of aggression. The artist skillfully portrays the working class through this powerful portrait. Each labourer is portrayed with meticulous detail, showcasing their physical strength and resilience. The painting serves as a testament to the hardships faced by these workers during that era. The composition evokes feelings of tension and emotion as these men engage in what appears to be a heated argument. It is as if they are channeling their frustrations into this intense exchange. This portrayal resonates with viewers on multiple levels, highlighting not only the struggles faced by laborers but also reflecting upon broader themes such as communication breakdowns and human emotions. Petrov-Vodkin's work subtly alludes to the concept of rage or fury associated with one of the seven deadly sins - perhaps suggesting deeper underlying issues within society at that time. Overall, this thought-provoking painting invites us to contemplate both individual experiences within a larger societal context.
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