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Mouse Mat : The Glasgow International Exhibition (engraving)

The Glasgow International Exhibition (engraving)




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The Glasgow International Exhibition (engraving)

1595292 The Glasgow International Exhibition (engraving) by Watkins, Frank (fl.1859-94); Private Collection; (add.info.: The Glasgow International Exhibition. Illustration for The Illustrated London News, 19 May 1888.
F Watkins); Look and Learn / Illustrated Papers Collection

Media ID 22553686

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Central Hall Exhibitions Glasgow International Exhibition Triumphal Arch West End


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Frank Watkins

> Fine Art Finder > Artists > Melton (after) Prior

> Architecture > Country > Scotland

> Architecture > Styles > International Architecture

> Arts > Artists > W > Frank Watkins

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > Scotland > Glasgow

> Europe > United Kingdom > Scotland > Posters

> Europe > United Kingdom > Scotland > Related Images

> Europe > United Kingdom > Scotland > Strathclyde > Glasgow


EDITORS COMMENTS
The Glasgow International Exhibition (engraving) captures the grandeur and opulence of one of Scotland's most significant cultural events in the late 19th century. This remarkable print, created by Frank Watkins, takes us back to May 1888 when The Illustrated London News first published this illustration. The image showcases the stunning interiors of the exhibition, revealing a world of architectural marvels and artistic splendor. The dome rises majestically above the central hall, casting a soft glow on the bustling crowds below. Every corner is adorned with intricate details that speak volumes about Victorian craftsmanship. One cannot help but be captivated by the triumphal arch that stands proudly at the entrance, welcoming visitors from near and far. It symbolizes not only Scotland's rich history but also its aspirations for a bright future. In particular, attention is drawn to the royal reception room – an exquisite space fit for dignitaries and esteemed guests. Its lavish decor reflects both elegance and sophistication, leaving no doubt as to why it was chosen as a venue for important gatherings during this momentous event. This engraving serves as a testament to Glasgow's prominence as a hub of culture and innovation during that era. It transports us back in time, allowing us to witness firsthand how artistry merged seamlessly with architecture within these hallowed walls.

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