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Pottery (colour litho)
2796438 Pottery (colour litho) by English School, (19th century); Private Collection; (add.info.: Pottery. Illustration for A Manual of British Archaeology by Charles Boutell (Lovell Reeve, 1858).); © Look and Learn
Media ID 22437346
© Look and Learn / Bridgeman Images
Amphora Cambridgeshire Guernsey Vases Beds Shefford
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.8cm x 23.7cm (7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a vibrant and intricate display of pottery, transporting us back to the 19th century. The English School's meticulous attention to detail is evident in this colourful lithograph, which now resides in a private collection. The image captures various types of pottery, including vases, beds, and a striking samian vase. Each piece tells its own story about British archaeology and offers insight into the rich cultural heritage of Great Britain. One cannot help but be drawn to the exquisite craftsmanship displayed in these artifacts. From the delicate chesterford amphora to the ornate Roman urns, every piece exudes elegance and sophistication. The setting for this photograph is Cambridgeshire's Shefford region, where these remarkable pieces were discovered. This snapshot serves as a testament to Great Britain's historical significance within Europe and highlights its contribution to European culture. As we gaze upon this mesmerizing composition by Bridgeman Images from Fine Art Finder, we are reminded of how art can transcend time and connect us with our past. It invites us to appreciate not only the beauty found in each individual artifact but also their collective representation of British identity.
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