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Mouse Mat : St. Martin of Tours, detail from an altar frontal from the Church of Saint Martin
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St. Martin of Tours, detail from an altar frontal from the Church of Saint Martin
XIR218722 St. Martin of Tours, detail from an altar frontal from the Church of Saint Martin, Chia, 1150-1200 (tempera on panel) (detail of 498163) by Johannes Pintor, RibagorAza Workshop (fl.1150-1200); Museo de Arte de Catalunya, Barcelona, Spain; Spanish, out of copyright
Media ID 12761438
© www.bridgemanimages.com
Benediction Bishop Blessing Crozier Johannes Romanesque Iohannes Ribagorca
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases a detailed section of an altar frontal from the Church of Saint Martin in Chia, Spain. Created between 1150 and 1200 by Johannes Pintor, a skilled artist from the Ribagorza Workshop, this masterpiece is now housed in the Museo de Arte de Catalunya in Barcelona. The focal point of this image is St. Martin of Tours, depicted as a saintly figure with his iconic attributes. Dressed in bishop's robes and adorned with a crown symbolizing his royal lineage, he holds a crozier - a shepherd's staff representing his role as protector and guide for his flock. Seated majestically on an ornate throne, St. Martin blesses those who come before him with outstretched hands. His benevolent expression radiates compassion and wisdom, capturing the essence of his revered status within medieval Christianity. The meticulous attention to detail is evident through every brushstroke; each fold in the fabric and strand of hair meticulously rendered by Johannes Pintor's skilled hand. The artist even signs his name "Johannes" or "Iohannes" at the bottom corner of this remarkable piece. This Romanesque gem transports viewers back to an era where religious art played an integral role in worship and devotion. It serves as both a testament to artistic mastery during that time period and as a reminder of St. Martin's enduring legacy as one of Christianity's most beloved saints.
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