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Mouse Mat : Christ tempted, 1861 (stained glass)
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Christ tempted, 1861 (stained glass)
3474633 Christ tempted, 1861 (stained glass) by Clayton, John Richard (1827-1913); Church of St Mary the Virgin, Lapworth, Warwickshire, UK; (add.info.: Manufactured by Clayton & Bell); eAlastair Carew-Cox; British, out of copyright
Media ID 23150784
© Alastair Carew-Cox / Bridgeman Images
Bright Church Window Devil Dragon Evil Good Gothic Revival Gothick Lucifer Neo Gothic Refusing Satan Scales Stained Glass Window Stars Temptation Tempted Victorian Gothic Winged Ecclesiastical Monster Pre Raphaelite
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 13.5cm x 23.7cm (5.3" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This stained glass window, titled "Christ tempted" transports us back to 1861 in the Church of St Mary the Virgin, Lapworth, Warwickshire. Created by John Richard Clayton (1827-1913) and manufactured by Clayton & Bell, this piece exemplifies the beauty and artistry of neo-gothic design. The vibrant colors and intricate details draw our attention immediately. In the center stands Jesus Christ, depicted with a serene expression amidst a backdrop of rich reds and greens. His divine presence contrasts sharply with the menacing figure before him – Lucifer himself. The devil is portrayed as a fearsome dragon-like creature with wings spread wide. Its scales shimmer under the light that filters through this magnificent stained glass masterpiece. The artist skillfully captures both good and evil forces at play in this scene. As we gaze upon this artwork, we can almost feel the tension between temptation and righteousness emanating from it. It serves as a powerful reminder of Christ's unwavering determination to resist sin despite being confronted by its embodiment. This Victorian gothic creation embodies not only religious symbolism but also represents an important era in British art history. Through its combination of pre-Raphaelite influences and gothic revival elements, it showcases how artistic movements intersected during this period. Alastair Carew-Cox has masterfully captured every detail in his photograph print, allowing us to appreciate this stunning work even if we cannot witness it firsthand.
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