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Mouse Mat : Descent from the Cross, c. 1435 (oil on panel)

Descent from the Cross, c. 1435 (oil on panel)




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Descent from the Cross, c. 1435 (oil on panel)

XJL3756 Descent from the Cross, c.1435 (oil on panel) by Weyden, Rogier van der (1399-1464); 220x262 cm; Prado, Madrid, Spain; Netherlandish, out of copyright

Media ID 12869575

© www.bridgemanart.com

Crown Of Thorns Crucifixion Crying Deposition Fainting Joseph Of Arimathaea Ladder Magdalene Sorrow Weeping Northern Renaissance


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 23.7cm x 19.6cm (9.3" x 7.7")

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
This print showcases Rogier van der Weyden's masterpiece, "Descent from the Cross" painted around 1435. The oil on panel painting measures an impressive 220x262 cm and is currently housed in the Prado Museum in Madrid, Spain. This Netherlandish artwork depicts the poignant moment of Christ's descent from the cross after his crucifixion. The composition is filled with raw emotion as we witness a scene of profound sorrow and mourning. The Virgin Mary, overcome by grief, faints into the arms of Joseph of Arimathaea while John supports her from behind. Mary Magdalene kneels at Jesus' feet, weeping uncontrollably. The ladder used to lower Christ down adds a touch of realism to this deeply religious scene. Van der Weyden masterfully captures each figure's anguish through their expressions and body language. The crown of thorns still adorns Jesus' head, symbolizing his sacrifice for humanity's sins. This photograph allows us to appreciate every intricate detail and brushstroke that Van der Weyden employed during the Northern Renaissance period. It serves as a reminder of both human suffering and divine redemption. As we gaze upon this powerful image, it evokes a sense of reverence and contemplation about faith, mortality, and compassion—a testament to Van der Weyden's artistic genius that continues to resonate even centuries later.

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