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Mouse Mat : Four pendants, 17th - 19th century (gold, enamel, pearls & precious stones)
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Four pendants, 17th - 19th century (gold, enamel, pearls & precious stones)
3434824 Four pendants, 17th - 19th century (gold, enamel, pearls & precious stones) by European School; Private Collection; (add.info.: Top left: A CONTINENTAL GOLD, ENAMEL, AND GEM-SET PENDANT
17TH CENTURY WITH LATER ADDITIONS
Depicting Saint George and the Dragon, circular with scalloped edges of black and white champleveenamel framing the figure of Saint George and the Dragon, surrounded by eight table-cut and collet-set rubies, the jewel suspended by a gold and pearl chain from a black and white striped enamel flowerhead decorated with five table-cut and collet-set rubies in the shape of a cross, the pendant suspending a pearl, apparently unmarked
Top right: A CONTINENTAL GOLD, ENAMEL, PEARL AND GEM-SET PENDANT
19TH CENTURY
Circular, the openwork back plate set with twenty-six table-cut rubies, surmounted by a red and white champleveenamel cartouche decorated with seed pearls and a collet-set table-cut emerald, the sides mounted with translucent blue enameled C-scrolls, the center affixed with gold and enamel drapery swags, and a white champleveenamel figure of a pelican in her piety, her breast mounted with a cabochon spinel and collet-set emeralds mounted to her outstretched wings, the reverse enameled in black, white, blue and green basse-taille enamel, two pendant pearls and three collet-set table-cut rubies and pearl pendants below, apparently unmarked
Bottom left: A CONTINENTAL GOLD, ENAMEL, PEARL AND GEM-SET PENDANT
CIRCA 1600
The openwork backplate with multicolored champleveenamel, the center mounted with a high collet-set red gemstone surrounded by radiating gold flower heads, six baroque pearls, and two garnets, all set against later gold flowerheads, the reverse intricately enameled in blue, green and white cloisonneenamel, three pendant pearls below, apparently unmarked
3Ao in. (8.2 cm.) long
Bottom right: A HUNGARIAN GOLD FILIGREE, ENAMEL AND EMERALD-SET PENDANT
CIRCA 1700
The backplate pierced and enameled with polychrome foliage and set with four emeralds, centering a raised filigree cartouche with enamel flowerheads and set with five emeralds, apparently unmarked
2 5/8 in. (6.7 cm.) long
); Photo eChristies Images; European, out of copyright
Media ID 22729034
© Christie's Images / Bridgeman Images
17th Cartouche Cloisonne Collection Dragon Emerald Emeralds Enameled Filigree Garnet Garnets Hungarian Intricate Jewelled Openwork Pearls Pelican Pendant Pendants Rubies Ruby Scrolls Silver Silver Gilt Silverware Slaying Champleve Jewels Spinel
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 18.5cm x 23.7cm (7.3" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases four exquisite pendants from the 17th to 19th centuries, crafted with the utmost artistry and adorned with precious materials. The top left pendant, dating back to the 17th century, depicts Saint George and the Dragon. Its circular shape is framed by black and white champleve enamel, accentuated by eight table-cut rubies. Suspended from a gold and pearl chain is a striking black and white striped enamel flowerhead embellished with five ruby crosses. Moving to the top right pendant, we find a stunning piece from the 19th century. Its openwork backplate features twenty-six table-cut rubies set against an enchanting red and white champleve enamel cartouche decorated with seed pearls and an emerald centerpiece. Translucent blue enameled C-scrolls adorn its sides while drapery swags in gold and enamel add elegance at its center. The bottom left pendant dates back to around 1600. It boasts a multicolored champleve enamel openwork backplate mounted with a high collet-set red gemstone surrounded by radiant gold flower heads, baroque pearls, garnets, all set against later gold flowerheads. Lastly, we have a Hungarian pendant circa 1700 featuring intricate filigree work in gold along with polychrome foliage enameling. Four emeralds are delicately placed on its pierced backplate while an elevated filigree cartouche adorned with enamel flowerheads steals attention at its center. These pendants are not only remarkable examples of European craftsmanship but also serve as timeless reminders of our fascination for beauty throughout history.
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