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Mouse Mat : Lara wounded, (lithograph)

Lara wounded, (lithograph)




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Lara wounded, (lithograph)

XOS5874817 Lara wounded, (lithograph) by Gericault, Theodore (1791-1824); Cleveland Museum of Art, OH, USA; (add.info.: Theodore Gericault (French, 1791-1824)
France, 19th century)

Media ID 33090634

© Bridgeman Images

Esquire Squire Two Persons Fictional Character


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
The captivating lithograph "Lara wounded" by Theodore Gericault takes us back to 19th century France, immersing us in a world of literature and romanticism. The print depicts two figures, one being the titular character Lara, who is shown grievously injured. Gericault's masterful use of black and white creates a hauntingly beautiful scene that draws viewers into the emotional turmoil unfolding before them. The artist's attention to detail is evident in every stroke of his brush, as he skillfully captures the pain and vulnerability etched on Lara's face. The horse standing beside her appears equally distressed, emphasizing the gravity of the situation. Clad in armor, a knight stands nearby with an air of concern, perhaps representing a squire or esquire attending to Lara. This artwork not only showcases Gericault's talent as a painter but also highlights his contribution to the Romantic art movement. Through this lithograph, he transports us into an imaginary realm where fictional characters come alive through poetry and literature. Housed at the Cleveland Museum of Art in Ohio, USA, this print from Bridgeman Images serves as a testament to Gericault's enduring legacy as an artist. It invites viewers to reflect upon themes such as injury and heroism while appreciating the beauty found within tragedy. As we gaze upon "Lara wounded" we are reminded that art has the power to evoke deep emotions and transport us across time and space – allowing us to connect with stories both real and imagined.

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