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Mouse Mat : Study of Girls Carrying Faggots (chalk heightened with white on paper)
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Study of Girls Carrying Faggots (chalk heightened with white on paper)
XYC127224 Study of Girls Carrying Faggots (chalk heightened with white on paper) by Gainsborough, Thomas (1727-88); 39.4x35 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12718785
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Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this sketch by Thomas Gainsborough, we are transported to a simpler time, where young girls carry faggots of firewood through the countryside. The delicate lines and soft shading of chalk heightened with white on paper bring these figures to life, capturing their youthful energy and determination. Gainsborough's attention to detail is evident in the careful rendering of each bundle of firewood carried by the girls. Their postures suggest a sense of purpose as they navigate uneven terrain, their strength and resilience shining through. This study offers us a glimpse into the daily lives of children in 18th-century England. It reminds us of the importance placed on hard work and self-sufficiency during that era. These young girls embody both innocence and responsibility as they contribute to their households by gathering fuel for warmth and sustenance. The composition is balanced yet dynamic, drawing our eyes across the page from one girl to another. Through his masterful technique, Gainsborough captures not only physical likeness but also individual personalities within each figure. Displayed at Yale Center for British Art as part of the Paul Mellon Collection, this artwork serves as a testament to Gainsborough's skill as an observer and chronicler of everyday life. It invites us to reflect on our own connection with nature and appreciate the simple joys found in mundane tasks.
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