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Mouse Mat : Southwest view of Bethlem or Bedlam Hospital and London Wall, 1814. In the 18th century, visitors paid a penny at the Penny Gate to view the inmates. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1814
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Southwest view of Bethlem or Bedlam Hospital and London Wall, 1814. In the 18th century, visitors paid a penny at the Penny Gate to view the inmates. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1814
FLO5000567 Southwest view of Bethlem or Bedlam Hospital and London Wall, 1814. In the 18th century, visitors paid a penny at the Penny Gate to view the inmates. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1814.; (add.info.: Southwest view of Bethlem or Bedlam Hospital and London Wall, 1814. In the 18th century, visitors paid a penny at the Penny Gate to view the inmates. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1814.); © Florilegius
Media ID 38106350
© © Florilegius / Bridgeman Images
Bethlem Hospital Bill Sticker John Thomas Smith London Wall Lunatic Asylum Mental Hospital Public Architecture Topography Of London Insane Asylum Regency
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print from 1814 offers a glimpse into the dark history of Bethlem or Bedlam Hospital and London Wall. In the 18th century, visitors would pay a penny at the Penny Gate for the morbid privilege of viewing the inmates within these walls. The copperplate engraving, skillfully drawn and etched by John Thomas Smith, is a haunting reminder of how mental illness was perceived and treated in centuries past.
The Southwest view depicted in this image shows not only the imposing architecture of Bethlem Hospital but also the bustling streets of London beyond its walls. The juxtaposition of public life with institutional confinement serves as a stark contrast, highlighting society's complex relationship with mental health throughout history.
As we gaze upon this historical scene, we are reminded of the importance of understanding and compassion towards those who suffer from mental illness. The shadows cast by these ancient buildings speak to a time when stigma and ignorance shrouded our understanding of psychological disorders.
Through this evocative print, we are transported back to a time when institutions like Bethlem Hospital were both feared and revered. It stands as a poignant reminder that progress has been made in our treatment of mental health issues, but there is still much work to be done to ensure dignity and respect for all individuals struggling with their mental well-being.
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