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Mouse Mat : Ennui, 1917-18 (oil on canvas) (see also 142951 and 617723)
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Ennui, 1917-18 (oil on canvas) (see also 142951 and 617723)
AMO138791 Ennui, 1917-18 (oil on canvas) (see also 142951 and 617723) by Sickert, Walter Richard (1860-1942); Ashmolean Museum, University of Oxford, UK; (add.info.: Last of Sickerts four paintings on this theme; painted at 15 Fitzroy Street, Bloomsbury, London but inspired by a decayed room in a house on the corner of Granby Street and Mornington Square, Camden town, London; the model Hubby was an old school friend of Sickert; it was this version of Ennui which was the inspiration for Virginia Woolfs account of the painting published in her pamphlet on Sickert in 1934; ); eAshmolean Museum; English, out of copyright
Media ID 22353150
© Ashmolean Museum / Bridgeman Images
Bloomsbury Bloomsbury Group Bloomsbury Set Bored Boredom Camden Town Group Cigar Dull Ennui Westernart Virginia Woolf
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 19.1cm x 23.7cm (7.5" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating print of "Ennui, 1917-18" by Walter Richard Sickert captures a moment of profound boredom and melancholy. Painted during his time at 15 Fitzroy Street in Bloomsbury, London, this masterpiece was inspired by a dilapidated room in a house on the corner of Granby Street and Mornington Square in Camden Town. In this painting, we see an interior scene featuring a couple lost in their own world of ennui. The female figure sits languidly on a chair, her face reflecting the weariness that permeates the room. She holds a cigar between her fingers but seems disinterested in smoking it. Her male companion stands nearby, equally bored and detached from his surroundings. Sickert's use of impressionistic brushstrokes adds to the overall sense of dullness and monotony within the composition. The muted colors and soft lighting contribute to the somber atmosphere that envelops these figures. Interestingly, it was this particular version of "Ennui" that served as inspiration for Virginia Woolf's account of the painting published in her pamphlet on Sickert in 1934. This further solidifies its significance within art history. As we gaze upon this thought-provoking image captured by Bridgeman Images, we are reminded of the universal experience of ennui - a feeling that transcends time and place.
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