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Mouse Mat : The Betrayal of Christ (From the Basilica of Santa Croce, Florence), c. 1324-1325. Artist: Ugolino di Nerio (ca 1280-1349)

The Betrayal of Christ (From the Basilica of Santa Croce, Florence), c. 1324-1325. Artist: Ugolino di Nerio (ca 1280-1349)




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The Betrayal of Christ (From the Basilica of Santa Croce, Florence), c. 1324-1325. Artist: Ugolino di Nerio (ca 1280-1349)

The Betrayal of Christ (From the Basilica of Santa Croce, Florence), c. 1324-1325. Found in the collection of the National Gallery, London

Heritage Images features heritage image collections

Media ID 14900452

© Fine Art Images

Authority Belief Betrayal Caiaphas Faith Judas Power School Of Siena Tempera On Panel Betrayal Of Christ Judas Ischariot Judas Kiss Kiss Of Judas


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 23.7cm x 17cm (9.3" x 6.7")

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
Caption: "The Betrayal of Christ" by Ugolino di Nerio is a captivating masterpiece that captures the profound moment of betrayal in Christian history. Painted around 1324-1325, this exquisite artwork can be found in the collection of the National Gallery, London. The painting depicts the climactic scene from the New Testament where Judas Iscariot betrays Jesus with a kiss, leading to his arrest and subsequent crucifixion. With meticulous attention to detail and skillful use of tempera on panel, Ugolino di Nerio brings this dramatic event to life. Set against a backdrop reminiscent of Gothic architecture, the figures are rendered with emotional intensity. The anguish on Jesus' face reflects his acceptance of his fate while surrounded by those who have turned against him. Caiaphas, the high priest who orchestrated Jesus' capture, stands prominently as a symbol of authority and power. Ugolino di Nerio's work exemplifies not only technical mastery but also conveys deeper themes such as faith and belief. Through this painting, viewers are invited to contemplate questions about loyalty and human nature. As part of the School of Siena tradition, Ugolino di Nerio's contribution to Italian art history is significant. "The Betrayal of Christ" serves as an enduring testament to both his talent as an artist and Christianity's enduring influence on Western culture.

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