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Mouse Mat : Court of the Great Temple, Philae, Egypt, 1843. Artist: George Moore
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Court of the Great Temple, Philae, Egypt, 1843. Artist: George Moore
Court of the Great Temple, Philae, Egypt, 1843. A print from Views on the Nile: from Cairo to the Second Cataract, drawn on stone by George Moore, from sketches taken in 1832 and 1833 by Owen Jones and the late Jules Goury
Heritage Images features heritage image collections
Media ID 14872566
© Artmedia / Heritage-Images
Ancient Site As Said Courtyard George Moore Goury Hall Hypostyle Jules Jules Goury Moore Philae Ancient Egyptian Print Collector3
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 18.5cm (9.3" x 7.3")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This black and white lithograph, titled "Court of the Great Temple, Philae, Egypt, 1843" takes us back to the enchanting world of ancient Egyptian architecture. Created by artist George Moore as part of his series "Views on the Nile: from Cairo to the Second Cataract" this print showcases a remarkable archaeological site. The image transports us to a grand courtyard within the temple complex at Philae. The intricate details captured in this 19th-century artwork highlight the mastery of both Moore and his predecessors Owen Jones and Jules Goury, who provided sketches for reference. The composition emphasizes the imposing pillars that line the hall's interior, known as hypostyle columns in ancient Egyptian architecture. As we explore this ruined temple through Moore's eyes, we can almost feel its religious significance emanating from every stone. Despite being centuries old at the time of sketching, these ruins continue to evoke awe and wonder even today. The monochrome palette adds an air of mystery and timelessness to this scene. It allows us to focus on each architectural element while imagining what it must have been like when these structures were intact. This print serves as a testament not only to Egypt's rich cultural heritage but also to Moore's artistic talent in capturing its essence. As we admire this piece, let us appreciate how art can transport us across time and space into worlds long gone but forever preserved through images like these.
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