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Mouse Mat : Development of Mesmeric Science, 1883. Artist: George du Maurier
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Development of Mesmeric Science, 1883. Artist: George du Maurier
Development of Mesmeric Science, 1883. The fatal Mesmeric Duel in the Bois de Boulogne, between the Chevalier Lenoir, of Paris, and Professor Schwartz, of Berlin. A new and bloodless way of fighting a duel. Cartoon on the revival of interest in Mesmerism and animal magnetism. From Punch. (London, 4 December 1883)
Heritage Images features heritage image collections
Media ID 14840229
© Oxford Science Archive / Heritage-Images
Bizarre Bois De Boulogne Duel Duelling Franz George Du George Du Maurier Magnetism Maurier Mesmer Mesmerism Oxford Science Archive Stool Therapy Franz Mesmer
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 17.4cm (9.3" x 6.9")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Development of Mesmeric Science, 1883
EDITORS COMMENTS
is a captivating print that delves into the intriguing world of mesmerism and animal magnetism. Created by artist George du Maurier, this black and white cartoon from Punch magazine satirically depicts a peculiar duel between two prominent figures in the field: Chevalier Lenoir from Paris and Professor Schwartz from Berlin. Set in the scenic Bois de Boulogne, this unconventional duel offers a new and bloodless way of settling disputes. The men are seen seated on stools, surrounded by curious onlookers who have gathered to witness this bizarre spectacle. As they engage in their mesmeric therapy, it becomes evident that mesmerism holds an air of mystery and fascination for both France and Germany during the 19th century. The cartoon captures the essence of this unique form of therapy with its monochrome aesthetic. It portrays Franz Mesmer himself as one of the central characters, emphasizing his significant role in popularizing mesmerism throughout Europe. Through George du Maurier's skillful engraving technique, he brings to life an era where concepts like magnetism were explored with great enthusiasm. This historical print serves as a window into a time when scientific exploration took unexpected turns. It invites us to ponder upon the strange practices that once captivated society's attention while reminding us how far we have come in our understanding of human behavior and therapy techniques today.
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