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Mouse Mat : Dispute of four Church Fathers on the Immaculate Conception, 1541. Artist: Dossi, Dosso (ca. 1486-1542)
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Dispute of four Church Fathers on the Immaculate Conception, 1541. Artist: Dossi, Dosso (ca. 1486-1542)
Dispute of four Church Fathers on the Immaculate Conception, 1541. Found in the collection of Staatliche Museen, Berlin
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Media ID 15026654
© Fine Art Images
Ambrose Anchorite Ascetic Augustine Augustinus Berlin Bishop Catholic Church Christian Church Church Father Dossi Faith Gregorius I Gregory Gregory The Great Hermit Hieronymus Immaculate Conception Jerome Monk Patron Philosopher Pope Pope Gregory I Saint Ambrose Saint Augustine Saint Augustinus Saint Gregory Saint Gregory The Great Saint Jerome Saints School Of Ferrara Staatliche Museen Theologian
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the famous painting "Dispute of four Church Fathers on the Immaculate Conception" by Italian artist Dosso Dossi. Created in 1541, this masterpiece is housed in the esteemed collection of Staatliche Museen in Berlin. The painting depicts a heated debate among four influential figures of the Christian faith: Saint Jerome, Saint Augustine, Saint Ambrose, and Pope Gregory I. These renowned church fathers engage in a passionate discussion regarding the concept of Immaculate Conception. Each figure represents a distinct aspect of Christianity - Jerome as an ascetic hermit, Augustine as a philosopher and theologian, Ambrose as a bishop, and Gregory as pope. Their diverse perspectives contribute to an intense clash of ideas within the Catholic Church. Dossi's exceptional skill is evident through his use of oil on wood to create intricate details that bring these historical figures to life. The composition reflects elements from the School of Ferrara during the Renaissance period. This artwork not only captures an important theological dispute but also serves as a testament to religious devotion and intellectual exploration during this era. It stands as a reminder of how faith has shaped our understanding throughout history and continues to influence our beliefs today.
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