Mouse Mat : Elgiva seized by order of Archbishop Odo, 1847. Creator: John Everett Millais

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Elgiva seized by order of Archbishop Odo, 1847. Creator: John Everett Millais

Elgiva seized by order of Archbishop Odo, 1847

Heritage Images features heritage image collections

Media ID 20633579

© Heritage Art/Heritage Images

Ancient Briton Archbishop Artistic Style Birmingham Museum And Art Gallery Birmingham Museum Art Gallery Birmingham Museums And Art Gallery Birmingham Museums Trust Bishop Criminal Dramatic John Everett John Everett Millais John Everett Millais Ra John Millais Kidnap Kidnapper Kidnappers Kidnapping Millais Millais John Millais John Everett Pre Raphaelite Pre Raphaelite Brotherhood Seizing Sir Je Millais Sir John Everett Millais Sir John Millais Aelfgifu Ancient Britons Elgiva

Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 23.7cm x 17.5cm (9.3" x 6.9")

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Arts > Artists > M > John Everett Millais

> Europe > United Kingdom > England > London > Sights > British Museum

EDITORS COMMENTS
The captivating print titled "Elgiva seized by order of Archbishop Odo, 1847" by John Everett Millais takes us back to the ancient Briton era. This dramatic artwork showcases a pivotal moment in history when Elgiva, a female figure representing Queen Elgiva, is forcefully taken under the orders of Archbishop Odo. The painting beautifully captures the intensity and emotion of this crime. Millais' artistic style shines through in this oil painting, as he skillfully uses color and composition to convey the gravity of the situation. The rich hues bring life to each character involved in this historical event - from Elgiva herself to the male kidnappers and even Saint Oda who plays a significant role. As we gaze upon this piece at Birmingham Museum and Art Gallery, we are transported back to 19th century Britain where religion held great influence over society. The Pre-Raphaelite Brotherhood's influence on Millais is evident here with their attention to detail and vibrant colors. This artwork serves as a reminder of our heritage and allows us to reflect on how power dynamics have shaped our past. It prompts contemplation about religious authority, law enforcement, and gender roles during that time period. Through his masterful brushstrokes, Millais invites us into an intriguing narrative filled with tension and intrigue. This print not only preserves an important moment in history but also highlights Millais' exceptional talent as an artist.

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