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Mouse Mat : Femme nue assise, vue de dos, between 1845 and 1848. Creator: Felix Francois Georges Philibert Ziem

Femme nue assise, vue de dos, between 1845 and 1848. Creator: Felix Francois Georges Philibert Ziem




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Femme nue assise, vue de dos, between 1845 and 1848. Creator: Felix Francois Georges Philibert Ziem

Femme nue assise, vue de dos, between 1845 and 1848

Heritage Images features heritage image collections

Media ID 36240847

© Heritage Art/Heritage Images

Art Movement Back Barbizon Barbizon School Black Hair Bottom Buttocks Felix Francois Georges Philibert Ziem Felix Ziem Leaning Leaning On Elbow Wood Material Ziem Felix Ziem Felix Francois Georges Philibert Paris Museums Petit Palais


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > George Back

> Arts > Artists > Z > Felix Ziem

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > France > Paintings

> Europe > France > Paris > Museums > Petit Palais


Femme nue assise, vue de dos,

EDITORS COMMENTS
or "Naked Woman Seated, View from Behind," is a captivating oil painting created between 1845 and 1848 by the French artist Felix Francois Georges Philibert Ziem. This masterpiece is an excellent representation of the artistic sensibilities of the Barbizon School, a group of French painters who sought to capture the natural beauty of the French countryside. The painting depicts a woman with long, dark hair, seated on a stool, leaning on her elbow, and looking over her shoulder. Her bare back and bottom are exposed, revealing the natural curves and contours of the female form. The woman's body is bathed in soft, muted colors, with the wood material of the stool providing a stark contrast. The painting's composition is simple yet effective, with the woman's figure taking center stage against a plain, monochromatic background. This artwork is a testament to Ziem's skill as a painter, as he masterfully captures the subtle nuances of the human form and the interplay of light and shadow. The oil on wood technique adds to the painting's texture and depth, making the woman's skin appear soft and supple. The painting is now a part of the permanent collection of the Petit Palais Museum in Paris, one of the city's most renowned institutions for heritage art. It is a reminder of the rich artistic heritage of France and the enduring beauty of the human form. The painting's timeless quality and its ability to evoke emotions and inspire contemplation make it a must-see for anyone interested in art, particularly those with an affinity for the 19th century and the Barbizon School. In conclusion, "Femme nue assise, vue de dos" is a stunning work of art by Felix Francois Georges Philibert Ziem that showcases the natural beauty of the female form and the artistic prowess of the Barbizon School. Its inclusion in the Petit Palais Museum's collection is a testament to its enduring value and its place in the annals of art history.

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