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Mouse Mat : Goddess Durga Slaying the Buffalo Demon (Mahishasuramardini), Angkor period, 10th century

Goddess Durga Slaying the Buffalo Demon (Mahishasuramardini), Angkor period, 10th century




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Goddess Durga Slaying the Buffalo Demon (Mahishasuramardini), Angkor period, 10th century

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Media ID 24166397

© Heritage Art/Heritage Images

10th Century Angkor Angkor Period Asura Buffalo Cambodia Cambodian Demon Durga Hindu Hinduism Killing Limb Mahishasura Many Arms Many Limbed Sandstone Slaying Southeast Asia Southeast Asian Style Tenth Century


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 16.5cm x 23.7cm (6.5" x 9.3")

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > Cambodian Cambodian

> Arts > Sculpture

> Asia > Cambodia > Cambodia Heritage Sites > Angkor

> Asia > Cambodia > Related Images


EDITORS COMMENTS
This print showcases the stunning sculpture of "Goddess Durga Slaying the Buffalo Demon (Mahishasuramardini)" from the Angkor period in Cambodia, dating back to the 10th century. The artwork, created by an unknown artist, is a remarkable representation of Hindu mythology and religious beliefs. In this masterpiece, Goddess Durga stands tall with her many arms and limbs, embodying strength and power as she confronts the fearsome buffalo demon Mahishasura. With fierce determination on her face, she fearlessly slays the demon with her divine weapons. The intricate details carved into sandstone reveal not only exceptional craftsmanship but also a deep understanding of symbolism and storytelling. This piece reflects both artistic excellence and spiritual devotion that was prevalent during Southeast Asia's rich cultural history. Displayed at the Art Institute of Chicago's Asian Arts gallery, this sculpture represents an important part of Cambodian heritage art. Its presence serves as a reminder of how art can transcend time and geographical boundaries to connect us with ancient civilizations. As we gaze upon this image, we are transported back in time to witness a pivotal moment in Hindu mythology – where good triumphs over evil. It reminds us of humanity's eternal struggle against adversity and our innate desire for peace and harmony.

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