Mouse Mat : The Four Horsemen of the Apocalypse, published 1630. Creator: Christoph Maurer

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The Four Horsemen of the Apocalypse, published 1630. Creator: Christoph Maurer

The Four Horsemen of the Apocalypse, published 1630

Heritage Images features heritage image collections

Media ID 36261535

© Heritage Art/Heritage Images

1600s 1630 Angels Apocalypse Book Of Revelation Christoph Maurer Christoph Murer Day Of Judgement Day Of Judgment Judgement Day Judgment Day Killing Killings Last Judgement Last Judgment Maurer Christoph Murer Christoph Published Revelation Revelations The Last Judgment Woodcut On Laid Paper Cosmic Rays

Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 23.7cm x 18cm (9.3" x 7.1")

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

EDITORS COMMENTS
This striking woodcut print, titled "The Four Horsemen of the Apocalypse," was created by Swiss artist Christoph Maurer in 1630. Maurer's depiction of this biblical scene is taken from the Book of Revelation in the New Testament, which describes the coming of four horsemen representing Conquest, War, Famine, and Death, heralding the end of the world and the Day of Judgment. In Maurer's composition, the horsemen are shown galloping forward with fierce determination, their faces contorted in expressions of fury and determination. The horse of Death, in particular, is depicted with a skeletal rider, holding a pair of balancing scales, symbolizing the balance between good and evil. The scene is set against a cosmic backdrop, with angels in the sky, their wings outstretched, seemingly guiding the course of events. The use of stark contrasts between light and dark, as well as the bold lines and intricate details, add to the sense of drama and urgency. This print, published in the 17th century, is a testament to the enduring power of religious art to capture the imagination and convey complex theological concepts. Maurer's masterful use of black and white, or woodcut on laid paper, adds to the timeless quality of the image, making it a valuable addition to any art collection or gallery, particularly those focusing on heritage art or religious themes.

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