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Mouse Mat : Je suis le plus grand ennemi des factions, 19th century. Creator: Honore Daumier
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Je suis le plus grand ennemi des factions, 19th century. Creator: Honore Daumier
Je suis le plus grand ennemi des factions, 19th century.
Parisian Types - I am the greatest enemy of the factions
Heritage Images features heritage image collections
Media ID 36314804
© Heritage Art/Heritage Images
Card Card Game Cards Caricatures Cartoons Daumier Honore Daumier Honore Victorin Gambling Game Game Of Cards H Daumier Honore Daumier Honore Victorin Daumier Lithographic Parisian Parisians Boasting Lithotint Parody Pastime Satirical
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
Je suis le plus grand ennemi des factions" (I am the greatest enemy of the factions) is a powerful and thought-provoking lithograph by the renowned 19th century French artist, Honore Daumier. This image, created in the mid-1800s, depicts a man confidently seated at a table, boasting about his superiority over various factions and groups. The man's smug expression and the cards in his hand, emblazoned with the insignia of different factions, suggest that he believes himself to be above the petty squabbles and divisions of society. The setting of the print is a Parisian room, filled with antique furniture and ornate decorations. The man's clothing, with its high collar and voluminous sleeves, is typical of the fashion of the time. The monochrome palette of the print adds to the sense of timelessness and historical significance. Daumier's caricature is a commentary on the political and social divisions of 19th century France. The artist uses humor and satire to criticize the self-importance and arrogance of those who believe themselves to be above the fray. The title of the print emphasizes the idea that the man's claim to be the greatest enemy of the factions is actually a sign of his own affiliation with one of them. This lithograph is a valuable addition to any art collection, particularly those focused on the history of French art or the social and political satire of the 19th century. It is a reminder of the power of art to reflect and comment on the complexities of human nature and the world around us. Whether displayed in an art centre, gallery, or private home, "Je suis le plus grand ennemi des factions" is sure to provoke thought and conversation. This image is part of the Heritage Images collection and can be found in the National Gallery of Art in Washington D.C. It is a testament to the enduring legacy of Honore Daumier and his contributions to the world of art.
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