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Mouse Mat : Landscape with Woman and Cows (recto); Sketch of a Landscape (verso), n.d. Creators: Richard Wilson, Thomas Morro
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Landscape with Woman and Cows (recto); Sketch of a Landscape (verso), n.d. Creators: Richard Wilson, Thomas Morro
Landscape with Woman and Cows (recto); Sketch of a Landscape (verso), n.d
Heritage Images features heritage image collections
Media ID 36200715
© Heritage Art/Heritage Images
Cows Farmhouse Path Richard Wilson Romantic Era Wales Welsh Wilson Richard Winding
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 18.3cm (9.3" x 7.2")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This exquisite 18th century print by British artists Richard Wilson and Thomas Morro showcases the picturesque beauty of rural life during the Romantic Era. The recto, titled "Landscape with Woman and Cows," depicts a serene pastoral scene with a woman in traditional attire, gazing out at a tranquil landscape dotted with grazing cows and quaint farmhouses. The rolling hills, winding paths, and rustic buildings evoke a sense of peace and simplicity. On the verso, Morro's sketch, "Sketch of a Landscape," reveals the artistic process behind the finished piece. The black chalk drawing, heightened with white chalk on blue laid paper, offers a glimpse into the artist's mind as he captures the essence of the landscape. The sketch's loose, expressive lines and raw texture contrast sharply with the finished print, highlighting the intricacy and skill involved in the final product. Richard Wilson (1713-1782) was a renowned British landscape painter, known for his dramatic and atmospheric landscapes. Thomas Morro (1740-1807), a skilled draftsman and engraver, collaborated with Wilson on several projects, including this print. The pair's artistic partnership showcases the interplay between painting and printmaking during the Romantic Era, as well as the enduring appeal of rural life and landscapes in British art. This print, with its beautiful imagery and historical significance, is a must-see addition to any art collection or gallery, offering a glimpse into the past and the artistic process. The Art Institute of Chicago is fortunate to have this rare and captivating piece in its impressive collection of prints and drawings.
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