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Mouse Mat : Les Mannequins Politiques, 19th century. Creator: Honore Daumier

Les Mannequins Politiques, 19th century. Creator: Honore Daumier




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Les Mannequins Politiques, 19th century. Creator: Honore Daumier

Les Mannequins Politiques, 19th century.
Political models

Heritage Images features heritage image collections

Media ID 36304581

© Heritage Art/Heritage Images

Caricatures Cartoons Daumier Honore Daumier Honore Victorin H Daumier Honore Daumier Honore Victorin Daumier Lithographic Mannequin Puppet Puppets Lithotint Mannequins Parody Satirical


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Honore Daumier

> Arts > Pop art > Satire > Satirical artwork

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Europe > France > Le Mans

> Humour > Cartoon

> Humour > Postcard

> Humour > Related Images

> People > Politicians

> Popular Themes > Politics


EDITORS COMMENTS
Honore Daumier's Les Mannequins Politiques, a captivating lithograph from the 19th century, offers a satirical glimpse into the political landscape of France during that era. The monochrome image, with its striking grey tones, depicts a scene of political figures portrayed as mannequins or puppets, manipulated by unseen hands. Daumier, a renowned French caricaturist, masterfully employs humour and parody to critique the politicians of his time. The lithograph, titled "Political Models," is a testament to the rich cultural heritage of the arts. It is a conceptual work that invites viewers to reflect on the nature of power and the manipulation of public opinion. The use of lettering and text adds an additional layer of meaning, further emphasizing the satirical intent. This antique print, now a prized possession in many art galleries and museums, including the National Gallery of Art in Washington, D.C., is a reminder of the enduring power of art to comment on the human condition and the complexities of politics. The image of politicians as mannequins or puppets, manipulated by unseen forces, continues to resonate with contemporary audiences, making it a timeless work of art that transcends historical boundaries.

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