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Mouse Mat : Lovebirds, 1785-1786. Creator: Jan Brandes
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Lovebirds, 1785-1786. Creator: Jan Brandes
Lovebirds, 1785-1786. Dwarf papagaaai from Ceylon in various poses on a stick. With inscription. Part of Jan Brandes sketchbook, dl. 1 (1808), p. 85
Heritage Images features heritage image collections
Media ID 36341831
© Heritage Art/Heritage Images
Biology Brandes Jan Brandes Johan Ceylon Sri Lanka Jan Brandes Johan Brandes Natural History Ornithology Parrot Perch Perched Perching Preening Sketch Book Sketchbook South Asian Sri Lanka Sri Lanka South Asia Sri Lankan Wildlife Agapornis Lovebird Watercolour Paint
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 18.3cm x 23.7cm (7.2" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This image, titled "Lovebirds" by Dutch artist Jan Brandes (1736-1811), dates back to the late 18th century and offers a fascinating glimpse into the natural world of the past. The artwork features a group of Agapornis birds, also known as lovebirds, native to the island of Ceylon, now Sri Lanka. These small parrots are depicted in various poses on a stick, showcasing their vibrant green plumage and distinctive beaks. The meticulous detail in this pencil drawing is truly remarkable, with each bird captured in a moment of preening or perching. The artist's skillful use of shading and hatching adds depth and texture to the sketch, bringing the lovebirds to life. The drawing is part of Brandes' sketchbook, which is now housed in the Rijksmuseum in Amsterdam, Netherlands. The lovebirds' presence in Europe during the 18th century was a result of the Dutch colonization of Ceylon. These birds were highly sought after for their exotic beauty and were often kept as pets. The inscription on the sketchbook page suggests that Brandes may have observed these birds firsthand during his travels or through the collections of the Dutch East India Company. This artwork is a testament to the rich cultural exchange between Europe and Asia during the 18th century, as well as the growing interest in natural history and ornithology. The intricate details and lifelike quality of the drawing make it a valuable addition to the heritage of both art and science.
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