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Mouse Mat : Ma femme reste bien longtemps a ce banquet... 19th century. Creator: Honore Daumier
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Ma femme reste bien longtemps a ce banquet... 19th century. Creator: Honore Daumier
Ma femme reste bien longtemps a ce banquet... 19th century.
Socialist Women - My wife stays a long time at this banquet
Heritage Images features heritage image collections
Media ID 36315674
© Heritage Art/Heritage Images
Bored Boredom Caricatures Cartoons Daumier Honore Daumier Honore Victorin Fed Up Gesture H Daumier Honore Daumier Honore Victorin Daumier Husband Late Leaning Leaning On Elbow Lithographic Waiting Lithotint Parody Satirical
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 18.5cm x 23.7cm (7.3" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Ma femme reste bien longtemps a ce banquet...,
EDITORS COMMENTS
or "My wife stays a long time at this banquet," is a poignant and humorous lithograph created by the renowned French artist Honore Daumier in the 19th century. This work of art, now a cherished piece of heritage, showcases the daily struggles and boredom of a working-class wife attending a socialist gathering. Daumier masterfully captures the essence of the scene with his distinctive caricature style. The image features a woman, dressed in simple, modest attire, sitting at a long table filled with other women. She is shown leaning on her elbow, her expression one of boredom and frustration. Her husband, a man in a suit and top hat, stands behind her, gesturing towards a speaker at the podium. The children in the background add to the chaotic atmosphere, further emphasizing the woman's sense of being trapped and overlooked. This monochrome masterpiece, with its intricate lettering and detailed depiction of the figures, is a testament to Daumier's exceptional talent as an illustrator. The use of grey tones adds to the somber mood, highlighting the contrast between the woman's internal turmoil and the external festivities. Originally created as part of Daumier's series "Les Femmes Socialistes," or "Socialist Women," this lithograph offers a unique insight into the lives of working-class women during the 19th century. It is a powerful commentary on the societal expectations of marriage and the role of women in the political sphere. Today, it continues to captivate audiences at art galleries and museums around the world, serving as a reminder of the rich artistic heritage of France and the enduring power of Daumier's work.
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