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Mouse Mat : The Macarony Dressing Room, 1772. Artist: Charles White
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The Macarony Dressing Room, 1772. Artist: Charles White
The Macarony Dressing Room, 1772. A satire on the affectations of the 18th-century macaroni, a sort of dandy. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14916951
© The Print Collector / Heritage-Images
Affectation Captain Cockatoo Dandy Dressing Gown Dressinggown Dressingroom Emily Morse Emily Morse Symonds George Paston Macaroni Macarony Paston Preening Symonds Valet
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 16.5cm (9.3" x 6.5")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Macarony Dressing Room, 1772
EDITORS COMMENTS
is a captivating print that offers a glimpse into the world of 18th-century fashion and social satire. Created by artist Charles White, this artwork mocks the exaggerated affectations of macaronis, who were known for their extravagant style. In this scene, we find ourselves in an opulent dressing room where a male macaroni is preening himself with great care. His hair is intricately styled, adorned with an elaborate wig that adds to his flamboyant appearance. Dressed in a luxurious dressing gown, he exudes confidence and vanity as he meticulously examines himself in the mirror. The room itself is filled with various elements that reflect the era's obsession with fashion and status. A cockatoo perched on top of a weapon-laden cabinet adds an exotic touch to the setting while symbolizing both wealth and power. The presence of swords further emphasizes the connection between fashion and warfare during this time. Through George Paston's illustrations from "Social Caricature in the Eighteenth Century" we are transported back to an era where appearances held immense importance. This print serves as a reminder of how individuals used clothing and accessories to project their social standing and personal identity. As we observe this satirical portrayal by Charles White, it becomes evident that even centuries later, society continues to be fascinated by concepts such as dandyism and self-expression through fashion.
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