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Mouse Mat : Nicolas-Claude Fabri de Peiresc (1580-1637). Artist: Finson (Finsonius), Louis (Ludovicus) (ca 1580-1617)

Nicolas-Claude Fabri de Peiresc (1580-1637). Artist: Finson (Finsonius), Louis (Ludovicus) (ca 1580-1617)




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Nicolas-Claude Fabri de Peiresc (1580-1637). Artist: Finson (Finsonius), Louis (Ludovicus) (ca 1580-1617)

Nicolas-Claude Fabri de Peiresc (1580-1637). Found in the collection of Musee de l Histoire de France, Chateau de Versailles

Heritage Images features heritage image collections

Media ID 15017176

© Fine Art Images

Nicolas Claude Fabri De Peiresc Peiresc


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Arts > Art Movements > Baroque

> Arts > Artists > P > Nicolas Claude Fabri de Peiresc


EDITORS COMMENTS
This portrait print showcases the renowned scholar and collector, Nicolas-Claude Fabri de Peiresc. Painted by Louis Finson, also known as Ludovicus Finsonius, around 1580-1617, this masterpiece captures the essence of Peiresc's intellectual prowess and refined taste. Peiresc was a prominent figure in 17th-century France, revered for his extensive knowledge across various disciplines such as astronomy, archaeology, and botany. His insatiable curiosity led him to amass an impressive collection of books, manuscripts, and artifacts from all corners of the world. In this oil on canvas artwork displayed at Musee de l'Histoire de France in Chateau de Versailles, Peiresc is portrayed with great attention to detail. The artist skillfully depicts his subject's sharp features and piercing gaze that reflect both intelligence and contemplation. The play of light and shadow adds depth to the composition while emphasizing Peiresc's dignified presence. The Flemish Baroque style employed by Finson perfectly complements Peiresc's persona as a man deeply rooted in European cultural traditions. This painting stands as a testament to the artistic talent flourishing during this period. As we admire this remarkable piece of fine art history today, let us remember Nicolas-Claude Fabri de Peiresc not only for his contributions to academia but also for inspiring generations with his dedication to knowledge acquisition and preservation.

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