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Mouse Mat : Seahorse, between c.1590 and c.1600. Creator: Unknown
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Seahorse, between c.1590 and c.1600. Creator: Unknown
Seahorse, between c.1590 and c.1600
Heritage Images features heritage image collections
Media ID 36344213
© Heritage Art/Heritage Images
1590s Aquatic Life Captive Captivity Chained Equestrian Fish Fishes Gilded Gilding Gilt Gilt Silver Nautilus Rearing Sculptural Sea Horse Seahorse Shell Silver Gilt Tools And Equipment
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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> Cricetidae
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> Europe
> Germany
> Sculptures
EDITORS COMMENTS
This 16th century print showcases a beautifully detailed and intricately designed seahorse, believed to have been created between 1590 and 1600. The exact creator of this masterpiece remains unknown, but it is thought to originate from Germany. The seahorse is depicted in a striking pose, rearing up as if ready to leap out of the water. It is securely chained and held in place by a gilded silver nautilus shell, which adds to the overall elegance and allure of the piece. The seahorse's body is expertly rendered, with its distinctive curled tail and intricate patterns. The gilt silver details on the seahorse and its surroundings are meticulously crafted, adding a sense of luxury and opulence. The print is a testament to the artistic skill and creativity of the time, and serves as a reminder of the rich heritage of art from the 16th century. This image is now part of the permanent collection at the Los Angeles County Museum of Art (LACMA), where it continues to inspire and intrigue visitors from around the world.
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