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Mouse Mat : Self-portrait with Death Playing the Fiddle, 1872. Artist: Bocklin, Arnold (1827-1901)
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Self-portrait with Death Playing the Fiddle, 1872. Artist: Bocklin, Arnold (1827-1901)
Self-portrait with Death Playing the Fiddle, 1872. Found in the collection of the Staatliche Museen, Berlin
Heritage Images features heritage image collections
Media ID 15011856
© Fine Art Images
Arnold 1827 1901 Death Symbols Eternity Futility Life And Death Memento Mori Schwitzerland Transience Vain Vanitas Vanity Symbolism
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this haunting self-portrait, Arnold Bocklin skillfully captures the delicate balance between life and death. Painted in 1872, "Self-portrait with Death Playing the Fiddle" showcases the artist's mastery of symbolism and allegory. Bocklin places himself at the center of the composition, his gaze fixed upon a skeletal figure playing a mournful tune on a fiddle. This personification of Death serves as a reminder of our own mortality and the fleeting nature of existence. The artist confronts us with our own vanity and futility, urging us to contemplate life's transience. The use of vibrant oil colors adds depth to this mesmerizing piece. Bocklin expertly combines elements from mythology, literature, and fine art tradition to create an image that resonates beyond its time. The presence of Death symbolizes both an end and a beginning – it is not meant to be feared but rather embraced as part of life's journey. Displayed in the collection of Staatliche Museen in Berlin, this painting continues to captivate viewers with its profound exploration into themes such as eternity and memento mori. Bocklin's "Self-portrait with Death Playing the Fiddle" invites contemplation on our place within the grand cycle of life and death while reminding us that even in darkness there can be beauty.
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