Mouse Mat : De Tonty Suing for Peace in the Iroquois Village. January 2, 1680, 1847 / 1848

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De Tonty Suing for Peace in the Iroquois Village. January 2, 1680, 1847 / 1848

De Tonty Suing for Peace in the Iroquois Village. January 2, 1680, 1847/1848

Heritage Images features heritage image collections

Media ID 20633668

© Heritage Art/Heritage Images

American West Catlin Catlin George Deciding Decision George Catlin Henri De Iroquois Tribal Tribe Tonti

Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 23.7cm x 16.4cm (9.3" x 6.5")

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Landscapes

> Arts > Artists > C > George Catlin

> Arts > Contemporary art > Landscapes > Portraits

> Arts > Contemporary art > Portraits > Landscape paintings

> Arts > Landscape paintings > Landscape art

> Arts > Still life artwork > Landscape paintings > Portraits

> Arts > Still life artwork > Oil paintings > Landscape paintings

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Arts > Still life artwork > Portrait painting > Landscape painting

> Arts > Portraits > Landscape paintings

EDITORS COMMENTS
The captivating oil painting, "De Tonty Suing for Peace in the Iroquois Village. January 2,1680" created by George Catlin in 1847/1848, transports us back to a significant moment in American history. The artwork showcases the colonial era and highlights the intricate relationship between Native Americans and European settlers. In this vibrant portrait, we witness Henri de Tonti, an influential French explorer and fur trader known for his close ties with Native tribes. De Tonti stands amidst a group of Iroquois leaders within their village as he negotiates for peace on that fateful day in January 1680. The scene is filled with tension and anticipation as both parties weigh their options. Catlin's meticulous attention to detail brings this historical event to life. The rich colors of the landscape surrounding the village reflect America's natural beauty while emphasizing its indigenous roots. Each figure is meticulously painted, capturing their unique features and traditional attire. This painting not only serves as a visual record of an important moment but also sheds light on the complexities of colonialism during the nineteenth century. It reminds us of the cultural exchange that occurred between different groups at that time—a testament to our shared history. "De Tonty Suing for Peace in the Iroquois Village" is more than just an exquisite work of art; it encapsulates a pivotal chapter in American heritage—one that continues to shape our understanding of nationhood, identity, and reconciliation today

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