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Mouse Mat : Treatment of the Insane, 1733, (1925). Creator: William Hogarth
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Treatment of the Insane, 1733, (1925). Creator: William Hogarth
Treatment of the Insane, 1733, (1925). " Bedlam" Bedlam from A Rakes Progress 1733 - engraving by William Hogarth (1697-1764), depicting mentally disturbed patients on a ward at the Bethlehem Hospital, London. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd. London, 1925]
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Media ID 18324749
© The Print Collector/Heritage Images
Asylum Bedlam Besant Bethlehem Hospital Bethlem Hospital Bethlem Royal Hospital Crazy Disruption Disruptive Eccentric Hogarth Hospital Illness Insane Insanity London In The Eighteenth Century Madness Mental Illness Noisy Old Bethlehem Hospital Rakes Progress Restrained Sir Walter Sir Walter Besant The Rakes Progress Treatment W Hogarth Walter Walter Besant William Hogarth
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Treatment of the Insane, 1733" by William Hogarth takes us back to a tumultuous era in mental health care. The image showcases a ward at the infamous Bethlehem Hospital, commonly known as Bedlam, in London during the eighteenth century. Hogarth's engraving vividly captures the chaotic and distressing atmosphere within this institution. The scene is filled with mentally disturbed patients who are subjected to various forms of restraint and confinement. Men and women alike appear disheveled and distressed, their faces reflecting the anguish they endure on a daily basis. The artist skillfully portrays their suffering through intricate details that evoke both empathy and discomfort. Hogarth's work serves as a powerful critique of society's treatment of individuals struggling with mental illness during this time period. It highlights not only the physical restraints imposed upon these patients but also the lack of understanding and compassion shown towards them. This print transports us back to an era when mental health was poorly understood, often resulting in mistreatment rather than genuine care. It reminds us how far we have come in our understanding and approach to mental illness today while also serving as a reminder that there is still much progress to be made in ensuring compassionate treatment for all those affected by such conditions.
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