Mouse Mat > Europe > Italy > Tuscany > Fiesole
Mouse Mat : Virgin Adoring the Child, between c.1460 and c.1480. Creator: Circle of Mino da Fiesole
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Virgin Adoring the Child, between c.1460 and c.1480. Creator: Circle of Mino da Fiesole
Virgin Adoring the Child, between c.1460 and c.1480
Heritage Images features heritage image collections
Media ID 36350750
© Heritage Art/Heritage Images
1460s 1480s Adoration Life Of Christ Madonna And Child Marble Relief Infancy Infant Virgin And Child
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.3cm x 23.7cm (6.8" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Europe
> Italy
> Sculptures
> Europe
> Italy
> Tuscany
> Fiesole
> Historic
> Medieval architecture
> Sculptures, reliefs, and carvings
> Marble reliefs
EDITORS COMMENTS
This exquisite 15th century marble relief, titled "Virgin Adoring the Child," is a masterpiece from the Circle of Mino da Fiesole, a renowned Florentine sculptor active between c.1460 and c.1480. The work showcases the artist's exceptional skill in capturing the delicate interplay between the Madonna and the infant Christ. The Virgin Mary, with a serene expression, tenderly gazes upon her baby son, who reaches out towards her with a gesture of love and affection. The intricate details of their faces, clothing, and posture reveal the deep connection between mother and child, highlighting the profound themes of love, nurturing, and devotion central to Christian beliefs. The relief, which dates back to the fifteenth century, is a testament to the artistic heritage of Europe, specifically Italy. Originally part of a larger architectural ornamentation, this piece now stands as a significant work of art in its own right. The use of marble as the medium adds to the sculpture's beauty, as the cool, smooth surface perfectly complements the intricate details of the relief. The "Virgin Adoring the Child" is currently housed at the Los Angeles County Museum of Art (LACMA), where it continues to captivate visitors and art enthusiasts alike. This sculpture not only serves as a reminder of the rich artistic history of Europe but also invites us to reflect on the universal themes of motherhood, childhood, and the divine.
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