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Mouse Mat : Virgin and Child, c.1530-c.1540. Creator: Adriaen Isenbrandt
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Virgin and Child, c.1530-c.1540. Creator: Adriaen Isenbrandt
Virgin and Child, c.1530-c.1540. Other Title(s): Madonna and Child.
The marble niche in which the Virgin and the Child are seated is a veritable sample-book of the modern Renaissance style. Pilasters and balusters, semi-circular alcoves, rams heads, cornucopias and scrolled acanthus leaves are typical of the new style, which was based on the architecture of Classical antiquity
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Media ID 36327537
© Heritage Art/Heritage Images
Acanthus Acanthus Leaf Acanthus Leaves Adriaen Isenbrandt Adriaen Isenbrant Adrien Ysenbrandt Adrien Ysenbrant Alcove Biblical Character Christ Antiphonetes Cornucopia Cornucopiae Cornucopias Designs Devotion Devotional Divine Infant Heads Horn Of Plenty Infant Jesus Isenbrandt Adriaen Isenbrant Adriaen Life Of Christ Madonna And Child Marble Mary Virgin Motif Motifs Niche Notre Dame Du Folgoet Our Lady Of Folgoet Our Lady Of Mariazell Our Lady Of Refuge Pilaster Rams Saint Mary Scroll Semi Circle Semicircular Sheep St Mary Stella Maris The Virgin Mary Virgin Mother Ysenbrandt Adrien Ysenbrant Adrien Baluster Christ Jesus Infancy Infant Mother Of God Santo Virgin And Child
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.1cm x 23.7cm (6.7" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Adriaen Isenbrandt's exquisite painting, "Virgin and Child," dating from around 1530-1540, showcases the beauty and grace of the Renaissance period. The Madonna and Child are seated in a marble niche adorned with intricate architectural details, including pilasters, balusters, and acanthus leaves. These elements reflect the modern Renaissance style, which drew inspiration from the architecture of ancient Greece and Rome. The Virgin Mary cradles the infant Jesus, who gazes up at her with a curious expression. The niche is further embellished with symbols of abundance, such as cornucopias and the horn of plenty, emphasizing the divine provision and nurturing love of the mother and child. The painting's rich colors and intricate designs evoke a sense of reverence and devotion, making it a cherished work of art and a testament to the cultural heritage of the 16th century. This masterpiece, by the Dutch artist Adriaen Isenbrandt, invites viewers to contemplate the biblical story of the Virgin and Child and the enduring themes of love, motherhood, and the divine.
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