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Mouse Mat : Surrender Khan Badakhsan 1772 Etching engraving

Surrender Khan Badakhsan 1772 Etching engraving




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Liszt Collection

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Surrender Khan Badakhsan 1772 Etching engraving

Artokoloro

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14018815

© Copyrighted

1715 1790 1730 1809 1730–1809 1759 1772 Audience Beijing Cavalrymen Center Charles Nicolas Cochin Ii Display Encampment Enclosed Illustrates Khan Military Present Surrender Granted Horsemanship Pierre Philippe Choffard


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 23.7cm x 15.9cm (9.3" x 6.3")

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This print titled "Surrender Khan Badakhsan 1772" takes us back in time to witness a significant historical event. The etching engraving, skillfully created by Pierre Philippe Choffard, a French artist from Paris (1730–1809), captures the moment of surrender between Khan Badakhsan and the Qing forces in 1759. The scene depicted on this sheet measuring 25 3/4 x 39 9/16 inches (65.4 x 100.5 cm) is truly remarkable. It illustrates a typical Manchu military encampment with its circular perimeter enclosing the center where Khan Badakhsan has been granted an audience. Surrounding him are cavalrymen showcasing their martial skills and horsemanship, creating an impressive display of power. The intricate details engraved by Choffard bring this historic encounter to life, allowing us to observe every nuance of emotion and tension within the scene. The collaboration with Jean Damascene from Rome (1727-1781) adds depth and authenticity to this artwork. Notably, Charles Nicolas Cochin II (1715-1790) played a vital role as Direxit in ensuring that every aspect of this print was meticulously executed. As we gaze upon this extraordinary piece from the Liszt Collection, we are transported back in time to witness firsthand an important moment in history when Khan Badakhsan surrendered his forces to the Qing dynasty. This artwork serves as a testament

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