Mouse Mat : Zaleucus Seleucus son 1637 Etching state Sheet

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Home Decor from Liszt Collection

Zaleucus Seleucus son 1637 Etching state Sheet

Artokoloro

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14038768

© Copyrighted

10 15 16 13 7 16 1499 –1546 1637 342 Cm After Giulio Romano Bound Foreground Giulio Knife Left Hand Man Holding Mantua Placing Pointing Shoulder State Text Woman Kneeling Women Lictors Pentagon Seleucus

Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 23.7cm x 19.8cm (9.3" x 7.8")

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

EDITORS COMMENTS
This print titled "Zaleucus Seleucus son 1637 Etching state Sheet" from the Liszt Collection transports viewers to a moment in history. The print, created through the technique of etching, showcases the artistic prowess of Giulio Romano, an Italian artist hailing from Rome. The scene depicted in this artwork is filled with tension and drama. Zaleucus, seated and turned towards us, points with his left hand while fixing his gaze on something beyond our view. A woman kneels beside him, her shoulder serving as a support for Zaleucus' eye. In the foreground lies Zaleucus' bound son, helpless and vulnerable. A man holds a knife nearby while lictors - men tasked with maintaining order - stand watch over this intense tableau. Men and women are scattered within an irregular pentagon shape that frames the central figures. Giulio's masterful use of light and shadow adds depth to this composition, emphasizing each character's role in the narrative. The details captured in this etching state sheet invite contemplation about power dynamics and justice during that era. As we observe this remarkable piece by Artokoloro without commercial intentions or affiliations mentioned here, we are transported back to 1637 when it was originally created. This print serves as a testament to both Giulio Romano's skill as an artist and Artokoloro's commitment to preserving historical artworks for generations to come.

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