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Mouse Mat : Daddi, Bernardo (c. 1290-c. 1355). The Madonna

Daddi, Bernardo (c. 1290-c. 1355). The Madonna




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Daddi, Bernardo (c. 1290-c. 1355). The Madonna

Daddi, Bernardo (c.1290-c.1355). The Madonna della Misericordia. 1342. ITALY. Florence. Loggia del Bigallo (Guildhall). Lower detail with a view of Florence. Renaissance art. Trecento. Florentine school. Fresco

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 8261403

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10681924

Bernardo Day Light De L Della Florence Florentine Fresco Guild Hall Loggia Lower Madonna Misericordia Renaissance Trecento Daddi Up Right


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 19cm x 23.7cm (7.5" x 9.3")

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This exquisite print showcases a detail from Bernardo Daddi's masterpiece, The Madonna della Misericordia, painted in 1342. The work is a prime example of the Florentine School of the Trecento period in Italian art. The composition is housed in the Loggia del Bigallo, or Guildhall, in Florence, Italy. The Madonna, depicted in the image, is shown with the Christ Child on her lap, both gazing tenderly at each other. The title "Misericordia," meaning mercy or compassion, refers to the loving and nurturing nature of the Madonna. The scene is set against a backdrop of the beautiful Florentine landscape, with the city's iconic red-tiled rooftops and the Arno River visible in the distance. The lower detail of the print reveals the architectural setting of the Loggia del Bigallo, which served as a gathering place for the Arte di Calimala, a powerful Florentine guild. The loggia's elegant arches and columns are adorned with intricate frescoes, further emphasizing the artistic and cultural significance of the location. The use of vibrant colors and the vertical, up-right composition of the print invite the viewer to appreciate the exquisite details of the artwork. The painting's rich colors, which have been beautifully preserved, are particularly striking when viewed in natural daylight. The Madonna della Misericordia is a testament to Daddi's exceptional artistic skill and the artistic prowess of the Florentine School during the Renaissance era.

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