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Futuristic automatic orchestra
A futuristic automated orchestra -- musicians will become redundant, apart from the conductor who just has to turn a handle. At least the actors haven t been replaced... yet
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 572151
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10005285
1899 2000 Automated Automatic Automaton Balcony Fantasy Futuristic Indoor Instruments Invention Inventions Musicians Orchestra Performance Redundant Stalls Musical Year
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 15.8cm (9.3" x 6.2")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
In this image from the annals of musical history, we witness a futuristic automatic orchestra, a groundbreaking invention that promises to redefine the very essence of live performance. The musicians, once the heart and soul of every symphony and concerto, have been rendered obsolete, at least in this particular setting. The orchestra pit, once teeming with the vibrant energy of dedicated artists, now lies empty, save for an array of automated instruments. The year is 2000, and the world of music has taken a dramatic turn. The stage is set in a grand indoor theatre, reminiscent of the 1890s, with its ornate balconies and footlights casting a warm, inviting glow. Yet, the scene before us is anything but traditional. In the place of human musicians, we find an intricate network of mechanical marvels, each instrument meticulously crafted to mimic the nuanced expressions of its living counterpart. The conductor, the lone human presence amidst this sea of automatons, assumes a pivotal role. His task is not to create music but to orchestrate it, to guide these mechanical wonders through the intricate dance of melody and harmony. The handle in his hand is the only connection between the human world and the automated orchestra, a poignant reminder of the enduring role of the conductor in the symphony of life. As we gaze upon this fantastical scene, we are left to ponder the implications of such an invention. Is this a triumph of human ingenuity, a testament to our ability to create and innovate? Or is it a harbinger of a future where the human touch is replaced by cold, mechanical precision? Only time will tell. For now, we can marvel at the beauty and complexity of this futuristic automatic orchestra, a fascinating blend of science, music, and history.
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