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Mouse Mat : Miss Theodosia Magill, afterwards Countess of Clanwilliam
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Miss Theodosia Magill, afterwards Countess of Clanwilliam
Miss Theodosia Magill (1744-1817), afterwards Countess of Clanwilliam 1765. Gainsborough, Thomas 1727-1788. Date: 1765
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Media ID 13101975
© National Museums NI / MARY EVANS
1765 Countess Gainsborough Theodosia Clanwilliam Magill Miss
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Miss Theodosia Magill, later Countess of Clanwilliam (1744-1817): A Portrait by Thomas Gainsborough This exquisite oil painting, created by the renowned English artist Thomas Gainsborough in 1765, captures the youthful beauty and poised elegance of Miss Theodosia Magill. At the time of this portrait, Theodosia was an unmarried young woman, yet the painting exudes an air of refinement and sophistication that would come to define her later life as the Countess of Clanwilliam. Born into a prominent Anglo-Irish family, Theodosia Magill was the daughter of Sir John Magill, 3rd Baronet, and his wife, Lady Elizabeth Coote. The painting showcases her striking features, with her dark, expressive eyes, delicate cheekbones, and a hint of a smile playing on her lips. Her elegant attire, consisting of a flowing gown in muted shades of pink and gold, complements her fair complexion and adds to her regal appearance. Theodosia's life took an unexpected turn when she married the wealthy Scottish nobleman, John Campbell, 5th Earl of Loudoun and 1st Earl of Clanwilliam, in 1766. This union elevated her social status and brought her into the elite circles of Scottish and English society. The portrait, therefore, not only serves as a testament to Theodosia's beauty but also as a record of her transformation from a young, unmarried woman to a countess and member of the aristocracy. Thomas Gainsborough was a leading figure in the English art scene during the 18th century, known for his mastery of portraiture and his ability to capture the essence of his subjects. This painting, with its intricate details and subtle use of color, is a prime example of his artistic prowess and serves as a lasting tribute to the enigmatic figure of Miss Theodosia Magill, the future Countess of Clanwilliam.
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