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Mouse Mat : Gentleman fencer in the position of the Thrust in Seconde
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Gentleman fencer in the position of the Thrust in Seconde
Gentleman fencer in the position of the outside Parade for the thrust under the wrist or the Thrust in Seconde. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787
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Media ID 23151416
© Florilegius/Mary Evans
Angelo Armes Domenico Duel Ecole Fencer Fencing Gentleman Parade Parry Position Rowlandson Seconde Swordplay Thrust Wrist
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 13.3cm (9.3" x 5.2")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print depicts a gentleman fencer poised in the position of the Thrust in Seconde, an essential technique in the art of swordplay. The image, a beautiful copperplate engraving after an illustration by Thomas Rowlandson from Domenico Angelo's "The School of Fencing," published in London in 1787, offers a fascinating glimpse into the world of dueling and fencing during the late 18th century. The gentleman fencer is shown in a formal, elegant attire, complete with a tricorn hat, cravat, and breeches. He holds a sword in his right hand, the blade pointed towards his opponent, while his left hand is positioned in the Seconde guard, with the wrist turned outwards. This guard offers protection against attacks from the opponent's right side and allows for quick, precise thrusts. The outside Parade, a defensive maneuver, is also evident in the print. The fencer's left foot is slightly turned outwards, and his left hand is raised, shielding his body from potential attacks. His right foot is planted firmly on the ground, providing a solid base for the powerful thrust that is about to be executed. The intricate details of the copperplate engraving capture the grace and precision of the fencer's movements, making it an exquisite work of art as well as an invaluable historical document. The illustration by Thomas Rowlandson, a renowned English artist and caricaturist, adds to the print's visual appeal, providing a vivid representation of the fencing techniques taught in Domenico Angelo's renowned fencing school in London during the late 18th century.
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