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Gontier as Stanislas in Michel et Christine
French actor Tonon Gontier (1785-1841) as Stanislas in Michel et Christine by Eugene Scribe at the Theatre du Gymnase, 1821. Handcoloured copperplate engraving from Charles Malos Almanach des Spectacles par K. Y. Z, Chez Louis Janet, Paris, 1823
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Media ID 23151294
© Florilegius/Mary Evans
Almanach Chez Christine Eugene Georges Gymnase Janet Michel Scribe Spectacles Stanislas Theater
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 15.4cm x 23.7cm (6.1" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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This exquisite hand-colored copperplate engraving captures the captivating performance of French actor Tonon Gontier (1785-1841) as King Stanislas in Michel et Christine, a play written by Eugène Scribe and first performed at the Théâtre du Gymnase in Paris in 1821. The image, published in Charles Malos Almanach des Spectacles by K.Y.Z and Chez Louis Janet in 1823, offers a glimpse into the theatrical world of the early 19th century. Gontier, whose real name was Georges Belloste, was a renowned actor known for his versatility and emotional depth. In Michel et Christine, he portrayed the complex character of Stanislas, a monarch torn between duty and love. The play, a romantic tragedy, told the story of the King's ill-fated relationship with Christine, the daughter of a commoner. The engraving beautifully depicts the intensity and passion of Gontier's performance as Stanislas. The actor's expressive face, with furrowed brow and piercing gaze, conveys the inner turmoil of the King. His regal attire, complete with a crown and scepter, underscores his royal status. The intricately detailed background, featuring a grand throne room, further emphasizes the grandeur and majesty of the production. This engraving is a testament to the artistry and craftsmanship of the time, as well as the enduring appeal of live theater. It serves as a reminder of the power of performance to transport audiences and evoke strong emotions, a tradition that continues to this day.
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