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Photo Mug : Assisted by Abdulla - The Ga-Ga Gallery, 1934
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Assisted by Abdulla - The Ga-Ga Gallery, 1934
Assisted by Abdulla - The Ga-Ga Gallery, 1934. From Punch, or the London Charivari. - December 19, 1934. [Messrs. Bradbury, Agnew & Co. Limited, London, 1934]
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Media ID 14973875
© The Print Collector
Abdulla Advert Advertisement Agnew Co Assistance Bradbury Brand Cigarette Eccentric English Text London Charivari Lower Case Manufacturer Orange Orange Colour Poem Punch Secretary Shocked Slender Slim Western Script
Large Photo Mug (15 oz)
Bring a piece of history to your morning routine with our Media Storehouse Photo Mugs. Featuring the classic image "Assisted by Abdulla - The Ga-Ga Gallery, 1934" from Heritage Images, these mugs showcase the charm of the past. This timeless photograph, originally published in Punch, or the London Charivari on December 19, 1934, is now available in a practical and stylish form. Each mug is expertly printed with high-quality, vibrant colors to bring out the details of the image. Start your day with a smile and a reminder of history with a Media Storehouse Photo Mug.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
These are individually made so all sizes are approximate
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Assisted by Abdulla - The Ga-Ga Gallery, 1934 - A Captivating Glimpse into the Eccentric World of Art
EDITORS COMMENTS
. This vibrant and captivating print from 1934 takes us back to a time when art galleries were not just spaces for showcasing masterpieces but also hubs of eccentricity and creativity. In this scene, we witness three individuals immersed in their respective roles within the Ga-Ga Gallery. The focal point is a slim and slender woman, dressed impeccably in an orange outfit that exudes confidence and sophistication. She represents the epitome of professionalism as she assists her employer, Mr. Abdulla, with his gallery duties. With an air of elegance, she flawlessly balances her cigarette between her fingers while attending to various tasks. The advertisement text surrounding them adds another layer to this intriguing composition. It speaks volumes about the evolving landscape of arts and literature during the thirties, where poetry and prose merged seamlessly with visual expression. The bold lettering emphasizes a brand or manufacturer associated with this unique gallery experience. As we delve deeper into this snapshot from history, it becomes evident that these three people embody more than just their job titles; they represent a concept—a way of life that challenges societal norms through artistic endeavors. Through its vivid colors and Western script lettering juxtaposed against traditional caricature-style illustrations found in Punch magazine at the time, this print captures both shock value and innovation—an embodiment of early 20th-century avant-garde spirit.
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