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Photographic Print : Entrance of the Sanctuary of Oropa with the snow

Entrance of the Sanctuary of Oropa with the snow




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Entrance of the Sanctuary of Oropa with the snow

Entrance of the Sanctuary of Oropa with the snow Biella Oropa Sanctuary Late Baroque, Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1940 ca.. Date of Artwork:1740 - 1770 ca

Pasta, Fernando
PTA-S-001072-2020

Media ID 33196420

© Alinari Archives, Florence

Baroque Entrance Vestibule Gate Meteorological Sanctuary Snow Tradional Natural Elements And Phenomena


12"x8" Photo Print

Experience the ethereal beauty of European history with our Media Storehouse Photographic Print of "Entrance of the Sanctuary of Oropa with the snow" by Fernando Pasta from Alinari. This exquisite late Baroque masterpiece transports you to the enchanting Biella Oropa Sanctuary in Europe, where the serene entrance is framed by the breathtaking backdrop of fresh, pristine snow. Immerse yourself in the rich artistic heritage of the First and Second Millennium A.D., as this stunning print adds an air of sophistication and elegance to your home or office space. - Media Storehouse

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 30.5cm (8" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Religious

> Architecture > Styles > Baroque Architecture

> Arts > Art Movements > Baroque

> Baroque paintings

> Europe > Italy > Piedmont > Biella

> Historic > Historical fashion trends > Baroque fashion trends

> Historic > Historical fashion trends > Renaissance fashion trends

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > Religious themes in renaissance art


EDITORS COMMENTS
This photograph captures the majestic "Entrance of the Sanctuary of Oropa with the snow" in all its glory. The image, taken around 1940, showcases a remarkable blend of architectural styles spanning several periods in European history. The sanctuary itself is a testament to late Baroque, Baroque, and Renaissance-Baroque influences. Its grandeur is enhanced by intricate details and ornate decorations that have stood the test of time since their creation between 1740 and 1770. As snow blankets the surroundings, it adds an ethereal touch to this already awe-inspiring structure. In this particular shot, we see a gate leading into the sanctuary's entrance vestibule. The gate stands as an impressive element amidst its surroundings – a symbol of both strength and beauty. It serves as more than just an entryway; it represents a connection between earthly existence and spiritual transcendence. A female figure dressed in traditional attire stands nearby, adding depth to the scene. Her presence evokes a sense of reverence for religious traditions that have endured through centuries. The photographer behind this masterpiece is Fernando Pasta from Alinari – his keen eye has captured not only architectural marvels but also natural elements like snowfall that enhance their splendor even further. This print invites viewers to immerse themselves in history while appreciating both human craftsmanship and nature's whimsy. It reminds us that despite being built by human hands, sanctuaries hold within them something divine – an intangible essence that transcends time itself.

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