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Photographic Print : A goose insults a pet mandrill in a walled garden. 1811 (etching)
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A goose insults a pet mandrill in a walled garden. 1811 (etching)
7235874 A goose insults a pet mandrill in a walled garden. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A goose insults a pet mandrill chained to a block in a walled garden. Baboon and poultry. Illustration of a fable by English poet John Gay. Copperplate etching drawn and engraved from life by Samuel Howitt from his own A New Work of Animals, Principally Designed from the Fables of Aesop, Gay and Phaedrus, Edward Orme, London, 1811.); © Florilegius
Media ID 25472770
© Florilegius / Bridgeman Images
Aesop Chain Chains Epistles Goose Greylag Goose Insult Insulted Insulting Insults Macacques Monkey Monkeyl Monkeys Poultry Poutry Primate Primates Fable Fowls Litaerature Poems
10"x8" Photo Print
Bring the whimsical world of 19th-century art into your home with our Media Storehouse range of Photographic Prints. This captivating etching by Samuel Howitt, titled "A Goose Insults a Pet Mandrill in a Walled Garden" (1811), showcases the playful interaction between a goose and a mandrill in a secluded garden setting. The intricate details and rich textures of this Bridgeman Images print from Fine Art Finder transport you back in time, making it a unique and intriguing addition to any room in your house. Add a touch of historical charm and wit to your decor with this exquisite work of art.
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Estimated Product Size is 25.4cm x 20.3cm (10" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this etching from 1811, we are transported to a walled garden where an unexpected encounter between a goose and a pet mandrill takes place. The scene is filled with tension as the goose boldly insults the chained mandrill, who appears both perplexed and offended by the bird's audacity. The artist, Samuel Howitt, masterfully captures this intriguing moment from English poet John Gay's fable. Through his copperplate etching drawn and engraved from life, Howitt brings to life the vivid characters of Aesop's fables in his own unique style. The composition showcases not only Howitt's artistic talent but also his deep understanding of animal behavior. The contrast between the elegant yet assertive goose and the captive mandrill creates a dynamic visual narrative that leaves viewers pondering over their respective roles in this peculiar interaction. As we delve into this artwork, we find ourselves contemplating themes of power dynamics and social hierarchies within nature. It serves as a reminder that even in seemingly idyllic settings like walled gardens, conflicts can arise unexpectedly. This print offers us a glimpse into early 19th-century British culture while simultaneously exploring universal concepts found within literature and natural history. It is through such works that art becomes an avenue for reflection on our own human experiences intertwined with wildlife encounters.
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