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Photographic Print : Kneeling Woman; Femme agenouillee, c. 1881 (black crayon on paper)
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Kneeling Woman; Femme agenouillee, c. 1881 (black crayon on paper)
1768060 Kneeling Woman; Femme agenouillee, c.1881 (black crayon on paper) by Seurat, Georges Pierre (1859-91); 31.8x24.1 cm; Private Collection; (add.info.: Kneeling Woman; Femme agenouillee. Georges Seurat (1859-1891). Black crayon on paper. Drawn circa 1881. 31.8 x 24.1cm.); Photo eChristies Images; French, out of copyright
Media ID 22274790
© Christie's Images / Bridgeman Images
1880s 1881 Back Back View Backview Behind Bended Knee Black Crayon Chores Domestic Life Domestic Scene Domesticity Female Garment From The Back Georges Pierre Seurat Georges Seurat Home Life Household Housekeeping Incopyright Mounted On Paper Neo Impressionist On Paper One Person Only Pointillism Pointillist Pointillistic Post Impressionism Rear View Seurat Skirt View From Behind Woman Alone Apparel Artist French French Art French Artist Post Impressionist
10"x8" Photo Print
Discover the timeless beauty of Georges Seurat's masterpiece, "Kneeling Woman; Femme agenoulee, c.1881" from our Media Storehouse range of Photographic Prints. This captivating artwork, featuring the enchanting depiction of a woman in a contemplative pose, was originally created using black crayon on paper. Seurat's innovative Pointillist techniques add depth and texture, making this a must-have addition to any art collection. Bring the elegance and sophistication of this iconic Fine Art Finder image into your home or office with our high-quality, museum-grade photographic prints.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This black crayon drawing, titled "Kneeling Woman; Femme agenouillee" was created by the renowned French artist Georges Seurat in circa 1881. Measuring 31.8x24.1 cm, this artwork showcases Seurat's mastery of pointillism and his ability to capture the essence of domesticity. The image depicts a solitary female figure kneeling on the ground, viewed from behind. The woman's posture exudes a sense of grace and tranquility as she engages in what appears to be household chores. Her three-quarter-length garment and skirt are meticulously rendered with delicate strokes, showcasing Seurat's attention to detail. Seurat's use of black crayon on paper adds depth and texture to the composition, emphasizing the play between light and shadow. The pointillistic technique employed by the artist creates a mesmerizing effect when observed up close, as countless tiny dots come together to form a cohesive whole. This late nineteenth-century artwork offers viewers a glimpse into everyday life during that era while also highlighting Seurat's innovative approach to art-making. Through his unique style and meticulous execution, he elevates mundane scenes like this one into works of profound beauty. "Kneeling Woman; Femme agenouillee" is housed in a private collection but continues to captivate audiences with its timeless appeal. This print serves as an exquisite reminder of Seurat's contributions to post-impressionism and his ability to transform ordinary moments into extraordinary art.
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